In the producer's chair was a smashing chap named Head. If you have a copy of Stories from the City, Stories from the Sea have a look on the first page of the inlay; he's the dude in the blue t-shirt leaning over that collosal mixing desk. He's refreshingly unpretentious and focused on getting the right take, even if that meant 40 odd takes. I also loved the fact that the first song he put on the stereo in the evening post-recording was mclusky's Lightsabre Cock Sucking Blues. Full blast. Awesomeness smothered in awesome.
He was a smart choice as producer. I've always seen Smoke Fairies more in the PJ Harvey-esque rock camp than the usual generic folk camp. This album will shake off the folk tag with a sand blaster.
All my parts were recorded in THE CAVE, which had two small windows; one where I could peer into the main live room: (and take a rubbish photo)
..and the other view was the lovely river which was my clock 'cos it's governed by the tides. At times the rising tide also acted as a depressing reminder of how many takes you've done.
I did all my viola parts through a juicy Music Man amp to get a nice interesting tone, I even did one take on my knees in proper \m/ style in front of the amp with the overdrive up to 11 ...sounds unlikely but it happened!
Now, we wait for the thing to be mixed but in the meantime the Fairies take on SXSW! Hella yeah!