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Showing posts with label viola. Show all posts
Showing posts with label viola. Show all posts

14.7.23

Thick Terrain by Firestations OUT NOW

I am one of the apparently dwindling numbers of people who still really value the album as a format for expressing the thing(s) you want to express. 

Today is an exciting day because our album Thick Terrain is out via Lost Map records, it's an eclectic mix of dream-pop, indie-rock and electronica, it's an album that imho flows beautifully, and an album I'm proud to be a part of with the good people of Firestations

The album is out now via all the usual streaming places.



We're also playing a show at the Shacklewell on Saturday

Thanks for listening.

13.9.22

Part Of It All

I can't remember if it was before or after the Greenhouse gig but at some point around then Kaf and Jess Smoke Fairies said they'd written a bunch of songs and would like me to put some viola on them. Part of It All is the first fruit from those recording sessions, and they were interesting sessions with Kaf and Jess recording everthing themselves through an SM58 microphone, embracing the limitations and carefully considering every note I played.

Looks like this is the first Smoke Fairies release I've played on for eight whole years; time is an absurd thing. There's a good, albeit bleak Stuff You Should Know Podcast epidsode about time, how your perception of time changes as you get older.

Anyway, give the song a spin.

9.11.20

Enable Original Sound

 I was asked to take part in an art series by Sam Walton: 'portraits of musicians performing, silently and internally, music of particular significance to them.' You can watch the resulting bizarreness here.

It also got me thinking about this piece Pensiero by Frank Bridge that I learnt as part of one of my viola grades aaaaaaaaaaaages ago. It was the first piece I had to learn that I didn't view as a bit of a drudge, something to get through to pass an exam, the piece was far removed from the  maths-precision cardboard of Bach, I actually felt something playing it; so cheers Frank for making me not ditch the viola.

31.3.17

Impressions by Tall Ships


Pleased to have contributed some of my viola playing on the new album by Tall Ships which is relaesed today, it's a rousing, beautiful album too.



Listen on Spotify: http://smarturl.it/impressionsspotify
Get it on iTunes: http://smarturl.it/tsimpressions
CD/Vinyl: http://smarturl.it/impressionsmg

1.4.11

Smoke Fairies on XFM

A week or so ago we popped into the XFM studios in Leicester Square to record a session for John Kennedy's Xposure show. There was something quite pleasing surreal about lugging massive amps and drums through one of London's biggest tourist traps.

We played Storm Song, Devil In My Mind, Summer Fades and Killing Joke's Requiem. It was aired last night and you can listen back to it here  I wonder if it's the first time they've ever had a viola solo on XFM?

16.6.10

Royal Festival Hall

So, I played the Royal Festival Hall yesterday with Smoke Fairies – it’s a rather large venue isn’t it, supposedly seating 2,500 or 3,000 depending which source you believe.


It reminded me of that magnificent chrome wave of a building that is The Sage in Gateshead, interior aesthetics that is, not exterior. Our dressing room was similar to when we were at the Sage too, in that it contained some tasty snacks and a bottle of whiskey, next to the antelope disposal unit. That whiskey served its social lubricant side effect rather well last night by dispelling all that awful self awareness. I mean, I can’t have any more of these situations where you walk on stage, pick up your viola and forget how to play the damn thing, with incessant thoughts popping into your head like:

‘how do I really know I can play this instrument?’
‘I mean, I’m holding a stick of wood with horse hairs on it’
‘and I’m expected to draw that across bits of wire made of cat gut’
‘and assume it’s going to make a nice sound’
‘seems pretty tricky, maybe it can't be done’
'I'm pretty exposed here on stage, are my flies undone?' 
‘what if my fingers don’t move’
‘what if they just seize up’
‘oh god, what if I’ve got gout in my fingers’
‘can you even get gout in one’s fingers’
‘what if I drop it?’

....and before long you’re a trembling wreck of a man playing like a ten year old on their first lesson, then you get:

‘come on, don’t be stupid, you can play this’
‘there’s no need to play any different to usual’
‘move your arms properly’
‘you’ve played this umpteen times before’
‘come on, it’s easy’
'did I leave the gas on?'
‘move your arms’
‘shit, it isn’t working’
‘my arm feels like it’s made of rock’
‘it’s just not moving’
‘why isn’t it working properly ?’
‘what the hell is going on’

...then the show ends and you feel like a rotten plum. Thankfully, that doesn’t happen very often thanks to that wonderful invention alcohol.


Talking of ailments, I was sitting patiently waiting for my turn to soundcheck, my legs were crossed in an awkward way, like I’d tied and knotted them together. I sat there through relentless snare hits and "two", "two", "two", "one", "one", "two", waiting patiently, then, when it was time to stand up and play I discovered my foot had fallen asleep and I spent a good few minutes stumbling around like an old drunk. The thing is, my foot still hasn’t restored itself to the usual operational standards I expect from my foot, there’s still numbness there and I’m worried that I’ve caused some serious damaged. I’m afraid to Google the problem because I know what’ll happen, Google will say: “they’re definitely going to have to amputate” .

And here is a photo of a horse:
 

12.2.10

What the NME said

The NME reviewed Smoke Fairies' gig at The Lexington, as you can see below. I might have to put a sticker on my viola with the words "this is not a violin"